The Hong Kong Writers Circle‘s 19th anthology, Lost in Transition, will launch at the 2024 Hong Kong International Literary Festival March 6! The event will be held 7.30pm – 8.45pm in the Jockey Club Studio at the Hong Kong Fringe Club. This year’s anthology contains 30 short stories and poems inspired by Hong Kong’s underground life-support system – the MTR! (I also set my own theme of ‘Yakult’.) Tickets are FREE but you must book now as there are very few left!

As well as contributing, I assisted Stewart McKay to edit this anthology, which is the thickest yet! (That’s thick in terms of width, not talent.) It contains many weird and wonderful poems and stories by local writers so please support and if you write, join us! HUGE thanks to my good pal Philippe Joly for helping design the cover and my nephew Kaz for taking the cover shot!

So stand back from the platform door and please don’t find yourself lost in transition…

https://www.eventbrite.hk/e/book-launch-lost-in-transition-tickets-821645061497

Issue 2 of the Hong Kong Writers Circle‘s literary magazine The Apostrophe on the theme of ‘MIND‘ is live on Substack! Congratulations to the published writers and artists, including Rebecca Dandridge-Walker, Julian Pantz and Kasra Shroff! Submissions for Issue 3 close on Halloween 2023. The theme is ‘Mistake’ but this is a trick! The only mistake you can make is not entering!

Submissions for Issue 2 of the Hong Kong Writers Circle‘s quarterly online literary magazine The Apostrophe close 31 July. The theme for Issue 2 is ‘MIND‘; open to interpretation and wilful misinterpretation any way the writer, poet or artist chooses! The publication of Issue 2 is timed to coincide with World Mental Health Month! Thanks to Mind HK for allowing me to share with their community. Check out the submissions guide here and don’t forget to subscribe!

Delusion by Rebecca Dandridge-Walker

https://hkwcmagazine.substack.com

The first issue of The Apostrophe, the new quarterly literary magazine of the Hong Kong Writers Circle, is out on Substack! Each quarter, the five points of the bauhinia flower – Hong Kong’s emblem – are paralleled by five original pieces of writing or poetry by Hong Kong writers and matched by me and editor-in-chief Jan Lee to five original pieces of artwork by local and international artists. You can read it on Substack here or download it as a pdf here

Congratulations to writers Quincy Carroll, Murli MelwaniSam Powney, Sonia FL Leung and Blair Reeve and artists Charles TangKasra ShroffCassandra Lee and our incredible cover artist Jade Bryant on being published in our inaugural issue! If your art was not matched with a story this time, it still has a chance of being published in future issues. 

The next submissions window opened 1 July and ends 31 July. Check out our submissions guide here and don’t forget to subscribe!

https://hkwcmagazine.substack.com

https://hongkongwriterscircle.org/the-apostrophe/

Fresh from launching A Book of Changes at the 2023 Hong Kong International Literary Festival, the Hong Kong Writers Circle opened submissions for its new quarterly online magazine The Apostrophe – on APRIL 1st – no joke! The name is derived from the irony that a bunch of so-called writers omitted the apostrophe when registering the Society. Technically, we should be the Hong Kong Writers’ Circle, but we are not. We are the Hong Kong Writers Circle. This grammatical faux pas has split the Circle into two feuding semicircles: those of us who know what an apostrophe is and how to use one and those of us who do’nt.

I am apparently Art Editor because nobody trusts me with an apostrophe. Artists are warmly encouraged to submit from anywhere in the world. There are no limits on the number of submissions. I look forward to reviewing your art!

https://hkwcmagazine.substack.com/p/submissions

You can also email your art to sadie@mentalideas.org

The story behind this year’s HKWC anthology, A Book of Changes, has been a lot more dramatic than anything you are likely to read inside! Hats off to the editors who have somehow kept their sanity. My chocolate horror story, Toot, is a bit of a departure from the usual stuff I write and I am excited to see it in print! The anthology doesn’t officially launch until the 2023 Hong Kong International Lit Fest in March 2023 but will be uploaded to Amazon shortly before. Sneak peak of the cover art below!

Also launching in March 2023 is the Women in Publishing Society‘s anthology Imprint 21, which will be held at the Foreign Correspondents Club. A couple of my humorous short stories are buried deep inside, like splinters of smashed Heiniken bottles nestled amongst precious emeralds…

More anthology news TBA Nov 18!

2023 HKWC Anthology

Usually, I steer away from committees, assuming I will be a liability, but last month I decided to commit to a minor role as Critique Group Coordinator on the Hong Kong Writers Circle‘s committee. This is my first experience of being on a committee and my second experience of being committed. In case you’re wondering ‘how is that possible?’ I was committed to a psychiatric hospital for a month in 2011. I’m hoping my experience on a psych ward will stand me in good stead for this demanding role. Question 1 to anyone interested in joining a critique group: ‘Do you know why you’re here?’ Nope? Good! Me neither.

2011

I had an absolute blast taking part in my first lit fest last weekend reading an excerpt from my absurdist short story Shitstorm at the 2021 Hong Kong International Literary Festival! Shitstorm is one of many short stories published by the Hong Kong Writers Circle in their 2021 anthology After The Storm.

The book is now available to buy in paperback and as an e-book on Amazon, in Bookazine and (from next Friday) Kidnapped in Sai Kung! Thanks to Hong Kong Buzz for their cheeky little plug and to the Writers Circle for introducing me to some of the best people in Hong Kong! If you’d like to join our Circle, click here! And if you’d like to support the HK Lit Fest by sponsoring an event or becoming a patron, click here!

When you really don’t trust the people you’re with (or just forget to remove your mask!)